Liberty Leading the People

Eugène Delacroix

The Art of Painting

Girl with a Pearl Earring

Johannes Vermeer

The Night Watch

Rembrandt van Rijn

I was born in 1606 in Leiden, in the Dutch Republic. My family was relatively well-off, which allowed me the privilege of education. I attended Latin school and later the University of Leiden. However, my true passion was always art. I was apprenticed to a Leiden history painter at a young age and later studied under Pieter Lastman in Amsterdam. I was drawn to painting because of its ability to capture not just the appearance but the essence of a subject – the emotions, the play of light and shadow, and the deeper narrative.

My style is rooted in the Baroque tradition but with a personal twist. I focus on realism, bringing a sense of honesty and emotion to my subjects. Over the years, my technique evolved to include bold contrasts of light and dark, a method known as chiaroscuro, to add drama and depth to my work. I also became more introspective in my later years, which reflected in the profound and somber tones of my later works.

I am inspired by a wide range of subjects – biblical and mythological scenes, portraits, and self-portraits, and everyday life. What intrigues me most is the human condition, the play of emotions and expressions. I seek to capture the humanity of my subjects, whether they are figures from history or everyday people from my surroundings.

My use of color is often subdued, relying more on the power of light and shadow to shape the composition and mood. I use color strategically, to draw attention to certain elements of the painting or to convey a particular atmosphere. The richness of earth tones in my palette helps in creating a sense of warmth and depth.

To aspiring artists, I would say: master the basics – drawing, composition, understanding of light and shadow – but also dare to experiment and find your own voice. Art is not just about technical skill but about conveying emotion and telling a story. Be observant of the world and people around you; they are an endless source of inspiration. And most importantly, be true to your vision and relentless in your pursuit of artistic growth.

After breakfast

Elin Danielson-Gambogi

Caravaggio

Dolce far niente

The Kiss

The Love Letter

Auguste Toulmouche

Las Meninas

Diego Velázquez

The School of Athens

Raphael

L'Absinthe

La Classe de danse

Edgar Degas

I was born in 1834 in Paris, into a wealthy family. My initial inclination towards art was encouraged by my father, who appreciated my artistic talent. I studied law briefly, but my passion for art prevailed. I received classical training at the École des Beaux-Arts, but I eventually found my unique voice, which diverged from the traditional academic style. My fascination with movement and the human form led me to explore subjects beyond conventional portraiture, focusing particularly on dancers.

My approach is deeply rooted in the study of movement and the human body in space. Although I'm often associated with the Impressionists, my work differs significantly. I am more inclined toward realism and classical composition. My style evolved to emphasize dynamic postures and unusual perspectives, capturing fleeting moments in everyday life.

I am captivated by scenes of contemporary life, particularly those involving dancers. Ballet dancers, both on stage and in rehearsal, provide endless fascination for me. They allow me to explore themes of discipline, grace, and the rigors of artistic pursuit. I'm also drawn to subjects that allow me to experiment with composition and the portrayal of movement.

My use of color is often subdued yet deliberate, aiming to enhance the mood and atmosphere of the scene. I focus on the interplay of light and shadow, using color to emphasize form and depth. My palette tends to be more earthy and muted compared to my Impressionist contemporaries, aligning with my focus on realism.

To aspiring artists, I would advise focusing on the fundamentals of drawing and composition. Understand the human form and how it moves and interacts within a space. Be observant of the world around you, and don’t shy away from experimenting with perspective and technique. Art is not just about replicating what you see; it's about interpreting and presenting it in a way that reveals a deeper truth.

The Great Wave off Kanagawa

Katsushika Hokusai

The Blue Room

Suzanne Valadon

Mona Lisa

Leonardo da Vinci

I was born in Vinci, Italy, and had the fortune of apprenticing under the renowned artist Verrocchio in Florence. This apprenticeship was pivotal; it not only honed my skills in painting but also exposed me to a range of subjects, from engineering to anatomy. My insatiable curiosity and love for both art and science fueled my pursuit of painting and invention. I believe art is not just a form of expression but also an exploration of the world around us.

My approach to art is deeply intertwined with my scientific inquiries. I meticulously study the world, from the mechanics of the human body to the subtleties of light and shadow in nature. This study is reflected in my art, which is characterized by detailed, realistic portrayals and a deep understanding of perspective and anatomy. I continually experiment with techniques, as seen in my development of sfumato, a way to blend colors and tones subtly.

I am inspired by the complexities and beauty of both nature and the human experience. My subjects vary widely, from human portraits to religious scenes, each chosen for its ability to explore deeper truths. For instance, in the Mona Lisa, I sought to capture not just the physical appearance but the essence of a person's soul through her enigmatic expression.

My use of color is often subdued yet deliberate, focusing on creating a harmonious and naturalistic effect. I pay close attention to how light interacts with surfaces and how colors change in different conditions. This careful observation allows me to create a sense of depth and realism in my paintings.

To aspiring artists, I say, cultivate your curiosity and never stop learning. Art is not just a skill to be developed but a continuous process of discovery and inquiry. Study nature, explore different disciplines, and let your diverse interests feed into your art. Be patient and meticulous in your work, and above all, never be afraid to pursue your unique vision and ideas.

The Death of Socrates

The Farewell of Telemachus and Eucharis

The Intervention of the Sabine Women

Napoleon Crossing the Alps

Jacques-Louis David

Elegant young man wearing pink clothes with blue bows 

Charles Francois Jalabert

Wanderer above the Sea of Fog

The Monk by the Sea

Caspar David Friedrich

Madame de Pompadour

Madame de Pompadour sketch

The Toilette of Venus

François Boucher

The Birth of Venus

Sandro Botticelli

Harriet Backer

Girl with Balloon or There is Always Hope

Banksy

Well, I prefer to keep my background a mystery, but what I can say is that I was drawn to street art because of its power to communicate directly with the public, outside the confines of traditional galleries. I started as a freehand graffiti artist in Bristol and was influenced by the burgeoning street art scene. The streets offer a canvas that is raw, real, and has the power to engage with everyday people.

My approach is grounded in delivering strong social and political messages. I aim to challenge, provoke thought, and sometimes amuse. Over the years, I've shifted from freehand to stenciling, mainly for its efficiency and ability to convey more detailed messages. My style is a blend of dark humor with graffiti done in a distinctive stenciling technique.

I'm inspired by the world around me – particularly social and political issues. My work often comments on topics like war, consumerism, hypocrisy, and the absurdity of power. I aim to highlight the overlooked and bring to light the injustices in society. The streets are a space where these issues play out, so it's a fitting canvas.

My use of color is typically quite minimal; I often stick to a monochromatic palette to keep the focus on the message. When I do use color, it's deliberate and serves a specific purpose – to attract attention, evoke certain emotions, or highlight a particular part of the piece. The simplicity of black and white can be quite powerful.

The best advice I can give is to find your own voice and use it to say something meaningful. Don't be afraid to break the rules and challenge norms. Art should be about expressing your perspective and not about pleasing critics or galleries. Stay true to what you believe in, and use your art to make people think and possibly even act.

Portrait of Anna Pitt as Hebe

Self-portrait in a Straw Hat

Elisabeth Vigée-Lebrun

Irrlicht

Georg Janny

The Five Senses; Sight

Henry Guillaume Schlesinger

Mihály Munkácsy

Black Square

Kazimir Malevich

Pygmalion and Galatea

Jean-Léon Gérôme

Born in 1824 in Vesoul, France, I developed an interest in art at a young age. My studies at the Ecole des Beaux-Arts in Paris under Paul Delaroche greatly influenced my approach to painting and sculpture. My passion for classical themes, historical accuracy, and Orientalism guided my career, leading me to become one of the most celebrated academic painters of my time.

My approach to art is rooted in the Academic tradition, emphasizing meticulous technique and detail, along with a deep respect for historical and classical subject matter. I have always strived for precision and clarity in my work, whether painting scenes from ancient history, exotic Eastern locales, or dramatic mythological events. Over time, my style became characterized by a blend of realism and romanticism, bringing to life scenes that are both accurate and evocative. This approach has remained consistent throughout my career, despite the rise of new artistic movements like Impressionism, which I viewed with skepticism.

I am inspired by a range of subjects, from ancient history and mythology to the exotic allure of the East. My travels to Egypt and Turkey had a profound impact on my work, inspiring many of my Orientalist paintings. I strive to bring these diverse worlds to life with authenticity and a sense of immediacy, often incorporating intricate details to transport the viewer to another time and place.

In my paintings, color is used to create a sense of realism and depth. I prefer a palette that is both rich and nuanced, allowing me to accurately depict the textures and tones of different settings and materials. My use of color is often carefully controlled to enhance the narrative and emotional impact of the scene.

To aspiring artists, I would advise a rigorous study of the fundamentals of art – drawing, anatomy, perspective, and history. A strong foundation in these areas is essential for any artist. Additionally, I encourage artists to pursue their subjects with a dedication to accuracy and detail. Art, in my view, is not just about expression but also about discipline and the pursuit of perfection.

De tio största, nr 3

Hilma af Klint

Portrait of Marie Thérèse Louise of Savoy, Princesse de Lamballe

Jean-Baptiste Charpentier the Elder

The Two Central Figures in "Derby Day"

A Private View at the Royal Academy 

William Powell Frith

House of Père Lacroix

Paul Cézanne

I was born in 1839 in Aix-en-Provence, France, and initially pursued law, in accordance with my father's wishes. However, my passion for art prevailed. I moved to Paris to pursue painting, despite my father's objections. Early in my career, I was influenced by Impressionism but eventually developed my unique style. I've always been driven by an intense need to understand and depict nature through my art.

My approach is rooted in the desire to make of Impressionism something solid and enduring like the art in museums. I focus on the underlying structures of natural forms. My style evolved from the fleeting impressions of the Impressionists to a more deliberate, structured method. I use color to create dimension and form, often simplifying nature into geometric shapes.

I am inspired largely by the landscape of Provence, with its robust and vivid nature. I am also drawn to still lifes because they allow me to explore the relationship between objects and space. My subjects are chosen not for their narrative content but for their forms and the challenge they present in translating three dimensions into the two dimensions of a canvas.

For me, color is a powerful tool for shaping space and structure. I use color to build form, rather than just to describe it. By modulating color and using warm and cool tones, I create depth and volume. This approach is a departure from the traditional use of perspective and shadow and is more about the harmonic interplay of color.

My advice would be to study nature attentively and always strive to express its essence in your work. Be patient and persistent. Art is not about quick success but a lifelong journey of learning and evolving. Trust in your vision, even if it goes against current trends. True art is about authenticity and the relentless pursuit of understanding and portraying the world around us.

Odilon Redon

Water Lilies and Japanese Bridge

Claude Monet

Moulin de la Galette

Luncheon of the Boating Party

Pierre-Auguste Renoir

I was born in Limoges, but my family moved to Paris when I was quite young. My initial foray into art was through painting on porcelain, which was a common industry in Limoges. This early exposure to the delicacy of brushwork and color influenced my later work. Eventually, I sought formal training in Paris, where I was deeply inspired by the works of the masters in the Louvre and by the camaraderie and innovation I found in the Impressionist circle.

My approach to art has always been centered around the joy and beauty of life. I began with the typical Impressionist style, focusing on light and its changing qualities. However, over time, my style evolved to incorporate more structure and form, drawing from classical influences. Despite this evolution, my commitment to capturing the vibrancy of life and the warmth of human connection remained constant.

I am deeply inspired by the beauty of everyday life – the simple pleasures, the intimate moments. I often choose to depict scenes of leisure – people dining, dancing, enjoying the outdoors. There's a certain magic in these ordinary moments, and I strive to capture their ephemeral beauty and the emotional resonance they hold.

Color is fundamental to my work. I avoid using black for shadows, preferring instead to use a mix of rich, deep colors. This approach helps in creating a sense of vibrancy and life. I believe in the harmony of colors and often use them to evoke certain moods or atmospheres. My palette is typically warm, aiming to enhance the light and joy inherent in my subjects.

My advice to young artists is to always paint from the heart. Stay true to what moves you and don’t be afraid to evolve. Art is a deeply personal journey – it’s important to be honest and authentic in your expression. Also, never stop learning and observing the world around you. Inspiration can be found everywhere, and every experience can deepen your artistic understanding and expression.

Etter solnedgang

Sommernatt

Parisinteriør

Kitty Kielland

I was born in 1843 in Stavanger, Norway. My interest in art was sparked at an early age, influenced by my family's appreciation for the arts. Initially, I pursued painting as a hobby, but my passion for it grew stronger over time. After studying in Munich and Paris, I became deeply committed to my art. My work was greatly influenced by the natural beauty of the Norwegian landscape and the desire to capture its unique light and atmosphere.

My approach to art is deeply rooted in the exploration of landscape painting. I've always been drawn to the challenge of capturing the essence of nature, particularly the changing seasons and lighting conditions of the Norwegian countryside. My style evolved to focus on realism and naturalism, with a particular emphasis on the accurate depiction of light and color to convey the mood of the landscape.

I am inspired by the landscapes of Norway, their vastness, and their quiet, understated beauty. The marshes, the fields, and the coastal landscapes are recurring themes in my work. These settings allow me to explore and express the changing moods of nature, from serene to tumultuous, reflecting the universal emotions of the human experience.

Color is a vital component of my work. I use it to capture the subtle nuances of the landscape, particularly the way light interacts with the natural environment. My color palette tends to be soft yet vivid, aiming to recreate the true colors of nature as closely as possible. I often experiment with different lighting conditions to enhance the mood and atmosphere of my landscapes.

To aspiring artists, I would suggest immersing yourself in the subject you wish to paint. Understand and appreciate the nuances of your environment. Technical skill is important, but it's equally crucial to develop a personal connection with your subject. Be patient and persistent in your practice, and allow your unique perspective to shine through in your work. Art should be a reflection of your own experiences and emotions.

The Bayswater Omnibus

George William Joy

Born in 1844 in Dublin, Ireland, my artistic journey began at a young age. I was initially trained by my father, who was an artist and engineer. My passion for art grew stronger over the years, leading me to study at the South Kensington Art School and the Royal Academy in London. My work in historical and genre painting was influenced by my interest in storytelling through visual means and the desire to capture moments of emotional and moral significance.

My approach to art has always been driven by a strong narrative element. I focus on creating scenes that not only depict a moment in time but also tell a story and evoke emotion. My style is characterized by its attention to detail, realism, and a dramatic use of lighting. Over the years, I've strived to refine my technique to enhance the storytelling aspect of my paintings.

I am inspired by history, literature, and the human experience. My subjects often reflect significant historical events, scenes from literature, or moments that capture the complexities of human emotion and moral dilemmas. I aim to create art that not only pleases the eye but also engages the mind and evokes a sense of empathy and reflection.

In my work, color plays a crucial role in setting the tone and mood of the scene. I use color to highlight certain elements of the painting and to enhance the overall emotional impact. My palette is often rich and varied, allowing me to create depth and realism in my depictions.

To aspiring artists, I would advise a strong foundation in the basics of drawing and painting. Understand the principles of composition, perspective, and color theory. But beyond technique, it's important to find your own voice. Let your art be a reflection of your unique perspective and experiences. Be patient and persistent in your practice, and always strive to convey something meaningful through your art.

The Organ Rehearsal

Henry Lerolle

Almond blossom

Self-Portrait

The Starry Night

Vincent van Gogh

My path to becoming an artist was not straightforward. Born in the Netherlands, I initially pursued work as an art dealer and later as a missionary. It wasn't until my late twenties that I began to seriously dedicate myself to painting. My early experiences with poverty and hardship profoundly influenced my work, steering me towards expressing the emotions and struggles of everyday life.

My style is deeply personal and emotional. I moved away from the traditional techniques and colors of my early works, developing a more vibrant and expressive style. I use bold, dramatic brush strokes and intense colors to convey emotions and a sense of urgency. My time in France, particularly in Arles, was transformative, leading me to explore light and color in ways I hadn't before.

I am drawn to subjects that evoke emotion and tell a story. This includes landscapes, night scenes, and still lifes, but I am particularly moved by the human condition. My subjects often reflect my personal feelings and experiences. The Starry Night, for instance, was inspired by my view from the asylum in Saint-Rémy and represents my inner turmoil and hope.

Color is essential to my expression. I use it to convey emotion and mood, often employing vibrant and contrasting hues. My approach is not about replicating reality but rather about expressing how I see and feel the world. I believe in the power of color to communicate the unseen, the feelings and thoughts that words cannot.

To the aspiring artist, I say: paint with passion and honesty. Let your emotions guide your work. Do not be afraid of experimenting or deviating from traditional paths. Art is a reflection of the self, so be true to your vision and experiences. And most importantly, never lose the courage to keep creating, even in the face of adversity or misunderstanding.

Zodiac

Alphonse Mucha

To aspiring artists, I would advise that you find your unique voice and medium of expression. Study the traditional forms and techniques, but also allow your creativity to flow freely. Embrace beauty and strive to make your art accessible and enjoyable to a wide audience. Remember, art is not just for the elite, but for everyone to appreciate and find joy in.

Lady in Gold

Gustav Klimt

I was born in 1862 in Baumgarten, near Vienna. My journey in art began at a young age, influenced partly by my father's work as an engraver. I studied at the Vienna School of Arts and Crafts, where I was trained in architectural painting. However, my interest soon shifted towards the avant-garde movement. I was drawn to the Symbolist style, which allowed for a more personal, expressive form of art, moving away from the traditional academic style.

My style is best described as a blend of symbolism and Art Nouveau, with a distinct focus on the female form and sexuality. I strive to capture beauty and sensuality, often intertwining human figures with decorative patterns and vibrant colors. My work evolved to become more daring and controversial, breaking away from the conventions of the time and embracing a more modern, expressive approach.

I am deeply inspired by the human condition, particularly the complexity and beauty of women. My subjects often revolve around themes of love, sexuality, and regeneration. I'm also influenced by classical mythology and symbolism, which allows me to explore deeper philosophical and existential themes in my work.

Color is a central element in my art. I use it not just to define form, but to evoke emotions and create a mood. My palette is often rich and ornamental, with gold leaf and intricate patterns playing a significant role. This use of color and texture adds a certain depth and luminosity, creating a sense of opulence and fantasy.

To the aspiring artist, I would advise exploring beyond the boundaries of traditional art. Embrace your unique voice and dare to express your deepest emotions and thoughts through your work. Art should not only imitate life but should also delve into the unseen, the symbolic, the emotional. Be bold in your exploration of subjects and styles, and always remain true to your artistic vision.

Songeuse devant la cheminée

Marcel Rieder

Henri Matisse

Subway riders in NYC

F. Luis Mora

I was born in 1874 in Montevideo, Uruguay, and my family moved to the United States when I was a child. My father was a successful sculptor, which provided me with early exposure to the arts. I was drawn to painting from a young age and pursued my passion with formal studies at the School of the Museum of Fine Arts, Boston, and later at the Art Students League in New York. My diverse cultural background and experiences in both Uruguay and the United States have deeply influenced my artistic perspective.

My approach to art is characterized by a blend of academic tradition and a more modern, impressionistic style. I've always been interested in capturing the essence of my subjects, whether it’s in portraiture, landscapes, or genre scenes. Over the years, I've strived to infuse my work with a sense of realism and emotional depth, often focusing on the everyday life and people around me.

I am inspired by the world around me – the people, the landscapes, and the dynamic cultures. My work often reflects a fascination with everyday scenes and the lives of ordinary people. I aim to capture not just the physical likeness of my subjects but also their inner life and emotional state. This interest extends to my landscape work, where I try to convey the atmosphere and mood of the setting.

Color is a vital element in my work. I use it to convey mood and atmosphere, carefully considering the interplay of light and shadow. My color palette tends to be rich and varied, reflecting the vibrancy of the scenes I depict. I enjoy experimenting with color combinations to achieve a sense of harmony and balance in my compositions.

To aspiring artists, I would say: be true to your vision and constantly seek to improve your craft. Study the masters, but also be open to new ideas and techniques. Art is a lifelong journey of learning and exploration. Pay attention to the world around you and draw inspiration from it. Most importantly, put your heart and soul into your work; it’s the passion that distinguishes good art from great art.

Leonetto Cappiello

Automat

Nighthawks

Edward Hopper

I was born in 1882 in Nyack, New York. My interest in art began in my youth. I studied illustration at the New York School of Art but soon realized that my true passion lay in painting. The early influence of Impressionism and my later exposure to realist painting shaped my focus. I was drawn to painting because of its ability to capture and convey the mood and atmosphere of a moment or place.

My approach to art is deeply rooted in realism, with a focus on the play of light and shadow and the portrayal of modern American life. Over time, my style evolved to emphasize simplicity and solitude in urban and rural scenes. I'm known for creating scenes that, while seemingly straightforward, often carry an underlying sense of loneliness or introspection.

I'm inspired by the everyday scenes and environments around me – cityscapes, landscapes, and interiors. There's a certain beauty and intrigue in the ordinary and mundane that I try to capture in my work. I'm particularly interested in moments of solitude and the feelings of isolation that can occur even in crowded urban settings.

My use of color is often subdued yet intentional. I use color to enhance the mood and atmosphere of the scene, with a preference for warm, muted tones. The interplay of light and shadow is crucial in my work, and I use it to create a sense of depth and to highlight the emotional undertones of the scene.

To aspiring artists, I would say it's important to develop your own way of seeing the world. Stick to your vision, even if it goes against current trends. Spend time honing your skills in drawing and painting, as they are fundamental. And most importantly, be patient and persistent in your work. Great art often comes from a deep understanding of both the subject matter and one's own self.